Opinion
The Spectacle Ep. 287: Excellence and Independence — Scott Jennings at The American Spectator’s Gala
In this special episode, hosts Melissa Mackenzie and Scott McKay take you inside The American Spectator’s 57th Annual Robert L. Bartley Gala, a night celebrating courage, independence, and the ...
With just a year left in her term and two years until the Democratic primary debates, Michigan Gov. Gretchen Whitmer is ...
Ashley Tellis was recently arrested and charged with the unlawful retention of national defense information and with making ...
It’s eerie. Gaza 2025 and Berlin 1945 are so uncannily alike. It’s not just the ruins everywhere. What grabs and shakes your ...
It’s funny because for the longest time, it was conservatives who were faulted for embracing retrograde notions and ideas. But in 2025, it seems, the retrograde people are mostly on the Left. Not ...
You may have missed it among the recent wild headlines of Democrats wishing death on Republicans, but the Supreme Court missed an opportunity to cement the closed primary system that keeps outsiders ...
Projection. The dictionary defines “projection” as “the tendency to ascribe to another person feelings, thoughts, or attitudes present in oneself.” A better description of the so-called “No Kings” ...
California Governor Gavin Newsom has signed Assembly Bill 749, the “Youth Sports for All Act,” which creates a “sports equity commission” to promote “the needs of diverse youth” and ensure “equity and ...
If California politics were a circus, Katie Porter would be the clown who sets the tent on fire, then berates the audience for watching. Once touted as the Democrats’ “suburban supermom,” she’s now ...
If currency values, stores, and measures labor’s creative output, then to remove its physical component is to remove its human foundation.
I am married to the finest human being on the planet. Her name is Alexandra Denman. I met her in 1966 at a black-tie party at the State Department celebrating Independence Day. We have been together ...
This well constructed plot demonstrates once again Richard Osman’s skill at making the unlikely seamless.
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